Morgan Wallen Makes The Least of His ‘SNL’ Appearance
Huh. So Morgan Wallen appeared on Saturday Night Live and it stirred controversy, and he didn't even really seem that thrilled to be there, or grateful for the opportunity? You don't say.
Huh. So Morgan Wallen appeared on Saturday Night Live and it stirred controversy, and he didn’t even really seem that thrilled to be there, or grateful for the opportunity?
You don’t say.
This is the same guy who was named the CMA Entertainer of the Year in 2024—the highest honor in all of country music—and not only couldn’t be bothered to be there to accept it, he’s yet to even directly or publicly acknowledge the accolade, or show any level of gratefulness for it. And now we’re acting surprised that he seemed generally uninterested to be on SNL?
Morgan Wallen was Saturday Night Live‘s musical guest March 29th, and sang the songs “Just In Case,” and the title track to his upcoming album “I’m The Problem.”
His performances were fine. And in fact, they underscored that even though many lump Morgan in with the worst excesses of Bro-Country, that’s kind of not his bag. There was no rapping. Aside from his drummer hitting a trigger pad, there weren’t any machine beats or backing tracks. As many pointed out, there wasn’t a good reason to have five guitar players on stage with him, but whatever.
If anything, the performances felt a little boring. A Morgan Wallen song just never goes deeper than the surface. Wallen did seem generally engaged while on stage, but this was unlike all his appearances in the promos for the show all week where he seemed completely uninterested.
The biggest gripe many had was that Wallen ducked out during the long-running “Goodnights” segment at the end of the show as the credits run.
After giving host Mikey Madison a limp shoulder hug, Morgan skipped off the stage toward the camera, and was shortly on a plane heading south, saying on Instagram, “Get me to God’s country.”
Many folks are up in arms over the disrespect Wallen showed, and wondered if he got the cold shoulder from the cast since there was such a gulf between him and the cast members on stage during the “Goodnights.”
But the abrupt Morgan Wallen walk off feels like yet another Morgan Wallen nontroversy. That doesn’t mean that there isn’t any concern to be had over it. But ultimately like all of Morgan Wallen’s dumb moves over the years, nobody got hurt, and nothing really happened.
Irrespective of its true significance or symbolism though, the Morgan Wallen walk-off became the biggest topic on social media the day after.
Though some of Wallen’s fans are praising him for sticking it to the “libs” for walking off the set in disgust, if this was the case, why did Wallen even agree to perform? If the whole experience was painful for Wallen, why did he do it? Publicity, sure. But it’s undetermined if Morgan ingratiated himself to anyone else but his established fans. Meanwhile, the “Ew!” crowd on social media roasted him, and others thought he looked like a wing nut walking off stage.
The (somewhat) formal explanation for the walk-off is that Morgan Wallen simply thought it was time to go, and had exited that way off stage in rehearsals too. But has Wallen never seen Saturday Night Live? Doesn’t he know that everyone mills about afterwards on stage?
What’s perhaps more concerning is how Wallen “borrowed” the Tyler Childers bit of having a console television on stage with him while he’s performing. For Tyler, it’s his actual Pa-Paws old TV that he’s turned into a guitar amplifier. For Wallen, it was simply a facade that flashed the track names of his new album while he was performing.
Perhaps no publicity is bad publicity, but it’s not like Morgan Wallen is on the margins looking to break out. He’s arguably the biggest artist in all of music. And that’s why Lorne Michaels and SNL booked him. It was entirely transactional for both parties, with Wallen putting about as much passion in the appearance as a day laborer, and SNL simply trying to cash in on the elevated ratings, and street cred they’ll get in the Trump era for letting Wallen back on the show after he duffed it the first time.
Yes, all of this feels dumb. But that was the reason this opportunity should have gone to someone else such as Zach Bryan, Zach Top, Sierra Ferrell, etc. These decisions matter, and if SNL isn’t going to give these performances to artists that can significantly benefit from them, at least give them to people who will care and be grateful.
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