Star Trek Movies Ranked From Worst to Best (Including Section 31)
We finally sat down and ranked every Star Trek movie, including Section 31. Can you guess which film landed in the number one spot and which ranked last?
Highlights include a superb climactic battle against the rogue Klingon ship (commanded by an awesome Christopher Plummer), Sulu (George Takei) in action as captain of his own starship, and a scene in Spock’s quarters between the Vulcan and Kirk that is both poignant and meta (“Is it possible that we two, you and I, have grown so old and so inflexible that we have outlived our usefulness? Would that constitute… a joke?”). By the time the Enterprise literally sails off into the sun at the end, you almost don’t want this to be this cast’s sign-off. But it was, and they went out like a nova. – Don Kaye
Star Trek has always been goofy. Yes, yes, Star Trek can be lots of things, including exciting and romantic and philosophical. But it has always been goofy, with giant Spock heads and Worf assuring us that he is not a Merry Man. So it makes sense that the most popular Trek movie of all time would also be one of its silliest. But whatever you might think about a story that sends the original crew back to 1980s San Francisco to save the whales, The Voyage Home always laughs with the characters, not at them.
Finally embracing his connection to the Trek world and stepping back into the director’s chair, Leonard Nimoy brings the same affection for his co-stars that marked Search for Spock. From that affection, Nimoy brings out the best in the cast, giving them delightful scenes in which Scotty talks lovingly into a computer mouse and Chekov seeks nuclear “wessels.” But as much as the movie shares the attention, the biggest chunk, as always, goes to William Shatner, who more than meets the comedic task. That twinkle in his eye when he corrects Catherine Hicks’s marine biologist Gillian Taylor (“No, I’m from Iowa. I only work in outer space”), reminds us why, after all the jokes and horror stories, Kirk is still the captain. – JG
Can you honestly say you were surprised that this is Number One? More than 40 years and a dozen movies later, Star Trek II: The Wrath of Khan is still the gold standard for what this franchise could and occasionally did achieve on the big screen. Conceived in the wake of the successful—but financially and creatively bloated—The Motion Picture as a smaller-scale adventure more in line with the TV show, The Wrath of Khan fulfilled its brief and then some, acting as both a sequel to a classic original series episode while addressing head-on the aging of the cast and the canon itself.
With Trek creator Gene Roddenberry kicked “upstairs” to an emeritus position, The Wrath of Khan proved that sometimes an established IP gets its best entries from people who have no previous attachment to the material. Executive producer Harve Bennett, writer-director Nicholas Meyer, and producer Robert Sallin were all new to Star Trek, yet ended up crafting a movie that felt in tone, pace, and theme like an expanded, outstanding episode of the TV show—a feeling missing from the first film.
Star Trek II also featured the return of arguably the Original Series’ greatest villain, the genetic superman Khan Noonien Singh, played once again with over-the-top relish by Ricardo Montalban. His obsessive, at-all-costs pursuit of vengeance against Kirk gives the film real stakes, as does the discovery that Kirk—the man who could never settle down and always fled to the stars—has a son he hadn’t seen in decades, who wants nothing to do with him. And then there’s Spock: his climactic self-sacrifice, capping one of sci-fi cinema’s most exciting space battles, never fails to be moving (even if the studio forced Meyer to slightly pull his punch at the very end). This is grand sci-fi, and even grander Trek, and somehow we think it will retain its place at the top of the heap for as long as Earth sails through space. – DK