The movie that made history by conquering a year to forget
It was one of the most damaging years in cinema history, but it did at least allow one movie to take advantage and carve out a slice of history.
(Credits: Far Out / Huayi Brothers / CMC Pictures Holdings)
Film » Cutting Room Floor
Wed 15 January 2025 6:30, UK
It’s been half a decade since the pandemic first ground the world to a standstill, and the reverberations are still being felt around cinema. It was borderline catastrophic for the movie industry and completely changed the way audiences consume feature-length content, but it did at least allow for a small slice of history to be made.
Christopher Nolan severed his 20-year partnership with Warner Bros after the studio made the contentious decision to release all of its 2021 lineup on streaming the same day it hit theatres, while at-home viewership shot through the roof, leading to companies like Netflix, Disney, and Apple splurging billions on movies that were never designed to be seen on the big screen.
That knock-on effect has never really gone away, and for every Tom Cruise and Top Gun: Maverick or cultural phenomenon like Barbenheimer that rides to the rescue and gives the business a much-needed shot in the arm, it’s fair to say the shortened theatrical windows and insistence on rushing films to digital just weeks after they’ve premiered has reduced the necessity and vitality of the cinemagoing experience.
The global box office had never dipped below $30 billion since 2011 and reached a high of over $39 billion in 2019, only for the pandemic to send it cratering to $8.6 billion in 2020. Things have never been the same since, although the year cinema would love to forget if it hadn’t permanently altered the paradigm wasn’t without its winners.
The highest-grossing American film of 2020 was the action-packed sequel Bad Boys for Life, which was never realistically going to be beaten when it arrived in January before everything went to shit. However, it wasn’t the biggest commercial hit of the year, allowing director Guan Hu’s historical war epic The Eight Hundred to swoop in, steal the crown, and become the first international feature to ever finish the year as cinema’s top-earning title.
Admittedly, the accomplishment was diminished somewhat by the fact Hollywood was on its knees, and the percentage of people willing to even risk a trip to their local multiplex was tiny. Still, the period piece detailing the titular number of troops defended Sihang Warehouse from wave after wave of Japanese combatants in what marked a turning point and the beginning of the end of 1937’s three-month Battle of Shanghai sold more tickets and made more money than any other picture to drop between January 1 and December 31.
It’s the one and only time a non-American movie has topped the yearly box office charts, and as much as the Chinese industry continues to compete as cinema’s second-largest market, it’s unlikely that it’ll happen again. The Eight Hundred was one of 2020’s very few filmic success stories, and nobody will ever be able to take away its place in history.
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ChinaWorld Cinema