The one director Mel Brooks called the greatest of all time
Mel Brooks has worked in Hollywood at the same time as many of cinema's greatest directors, and there's only one name on his mind as the best ever.
(Credits: Far Out / TCM)
Film Âť Cutting Room Floor
Sat 8 February 2025 21:15, UK
As one of Hollywoodâs eldest elder statesman, Mel Brooks is uniquely qualified to comment on who he thinks the greatest director of all time is. After all, heâs spent his career sharing an industry with many of the all-time greats, some of whom he got to know on a personal level.
To put the writer, director, producer, and actorâs longevity into perspective, he began his career as a writer and comedian for Sid Caesarâs variety series Show of Shows in 1950. That was the year Joseph L Mankiewiczâs All About Eve won âBest Pictureâ at the Academy Awards, and Hedy Lamarrâs biblical romance Samson and Delilah was the highest-grossing theatrical release of the year.
His most recent credit was in a 2023 episode of Only Murders in the Building, which was the year that Danielsâ madcap multiversal adventure Everything Everywhere All at Once scooped âBest Pictureâ and Greta Gerwigâs Barbie was the top-earning title to hit cinemas. Neither of those films would have been remotely conceivable in any way, shape, or form when Brooks was starting out, and not just because the latter doll hadnât even been created yet.
To put it lightly, heâs been around. Responsible for some of the industryâs greatest-ever comedies and a one-man fountain of creativity across multiple mediums, Brooks has seen and done almost everything there is to see and do in Tinseltown. So, when he names one filmmaker as the finest to ever wield the megaphone, itâs coming from a place of both experience and knowledge.
âI think the best director who ever lived was Alfred Hitchcock, for his timing,â he told the Directors Guild of America. âThatâs my vote.â OK, there might be a hint of bias in play as well, considering Brooks was friends with the âMaster of Suspenseâ, and they collaborated on a picture together.
It definitely wasnât in his wheelhouse, but the maestro behind a string of seminal chillers and thrillers like Psycho, The Birds, Rear Window, Vertigo, North by Northwest, and countless more besides was instrumental in Brooksâ High Anxiety. The film sought to parody the type of potboilers Hitchcock knew so well, so the former opted to head straight to the source for inspiration and ended up finding himself an unlikely co-writer in the process.
Hitchcock took Brooksâ top spot, but it was a close-run race. âRight on his heels, Iâd have to say, Preston Sturges, for his freedom,â he offered. âHe gave me the freedom to go crazy.â The comedy icon also threw Marcel CarnĂŠ, Ernst Lubitsch, Jean Renoir, and George Stevens into the mix as the rest of his all-timers, but nobody could hold a candle to âHitchâ, a friend and fellow filmmaker who, in his opinion, has never been bettered behind the camera.
Related Topics
Alfred HitchcockMel Brooks